LAND
Landscape paintings, Walking Landscapes and place-based work
Tiny Landscapes series, August 2026 (original paintings, gouache on paper, 5 × 7 cm / 2 × 3 inches)
Skies & Sunsets, September 2026 (original paintings, gouache on paper, 12.5 × 12.5 cm / 5 × 5 inches)
Terrariums, October 2026 (Original paintings in gouache with gloss varnish finish, 10.5 x 14.8 cm / 4.1 x 5.8 inches)
Pool of Memories (mixed media with 22CT Moon gold; 29.7 x 42 cm / 11.7 x 16.5 inches
Walking Landscapes
Little Memories (Mixed media; 10.5 x 14.8 cm / 4.1 x 5.8 inches)
MYSTERY
Abstract and metaphorical painting
Transfiguration Peace Prayer: Metamorphosis (tuned to the 639Hz) Mixed media with 22CT Moon Gold; 29.7 x 42 cm / 11.7 x 16.5 inches
Dreamscape: Sea of Spirit - infused with the intention of miracles and intuition for the Highest Good (tuned to 852hz)
Mixed media with 22CT Moon Gold; 29.7 x 42 cm / 11.7 x 16.5 inches
Dreamscape: Deep Forest of the Soul (tuned to 528hz)
Mixed media with 22CT Moon Gold; 29.7 x 42 cm / 11.7 x 16.5 inches
Solar eclipse, August 2026 (Oil Pastel on paper; 20.5 × 20.5 cms / 8 × 8 inches)
This Universe is a symphony of miracles, dreams, and remembering… an unfolding Living Mystery.
Mixed media with 22CT Moon Gold; 29.7 x 42 cm / 11.7 x 16.5 inches
A Soft Structure for Breaking (Mixed media 30 × 30 cms / 12 × 12 inches)
Dreamscape Peace Prayer: Peace of All Nations (tuned to 528hz)
Mixed media with 22CT Moon Gold; 29.7 x 42 cm / 11.7 x 16.5 inches
TRACE
Lino, etching, letterpress and printmaking
Lino Prints
Screenprints for A Little Book of Brigid (2024)
BOOK
Artist books
A Little Book of Brigid (2024)
A Little Book of Brigid was created to celebrate women and commemorate Brigid of Kildare, marking 1,500 years since her death. Through a collection of illustrated poems, the book honours Brigid as patron of poets and printers, celebrating her enduring presence in everyday life, history and the living world. Following an open call that received 160 submissions from around the world, 28 poems (24 in English and four in Irish) were selected. One hundred copies were intended as gifts for inspiring women and institutions in Ireland and internationally, recognising those who have championed women’s rights or supported women in their communities. The project also sought to reconnect the public with letterpress printing, a craft with a rich history of association with women’s activism.
Hand-set and printed by Emily Rainsford and Angelina Foster at Blueway Art Studio in Narraghmore, Co. Kildare, the book brings together traditional printmaking, handmade illustration and bookbinding. Seven invited artists contributed drawings, mark-making and collage, while the Irish-language poems were screen-printed to preserve Brigid’s native tongue. Inspired by Celtic seasonal rituals, the book’s sections are titled Intention and Gratitude, with an oak leaf recurring throughout as a symbol of Brigid. Each copy was bound with French linen thread using Coptic stitch and included a Brat Bhríde made from Irish linen dyed with foraged Kildare heather. Weaving became a central metaphor for the project: women as makers of opportunity, community and shared futures. Launched in Narraghmore on 13 April 2024, the first ten books were presented to inspiring women nominated by their communities, including Ireland’s First Lady, Sabina Higgins.
PLACE
Murals, public art and site-responsive work
Situated on Emily Square, Athy, Sweet Athy began as a celebration of the town’s rich heritage as a market town, formally established through a royal charter granted during the reign of Henry VIII.
Combining a colour-field style with vignettes of archival photography, the mural evolved through conversations, stories and living memories shared by people passing by as I painted. What began as a tribute to Athy’s history became something more personal: a love letter to my hometown, its people, its waterways and its enduring spirit. The words Sweet Athy, borrowed from the traditional song Johnny I Hardly Knew Ya, came to me in a dream towards the end of the process, and felt like the perfect title for a place so steeped in history, legends and community. The mural was commissioned under Fáilte Ireland’s Regenerative Tourism & Placemaking Scheme as part of the EU Just Transition Fund, co-funded by the Government of Ireland and the European Union, celebrating Athy’s place in Ireland’s Ancient East.
Gwen Loughman & Emily Rainsford